Archives for category: Review

Screenimage: The Guardian.

The events of the past five days around the country are a sobering sight for people around the United Kingdom. Rioting has been widespread and in amongst some of the abhorrent stories that have filtered through news agencies and social networks such as Twitter and Facebook, message and stories of hope have trickled through too. Signs of solidarity in London with residents of areas cleaning up their own areas with brooms and applauding police cars driving through areas that now look like warzones are a relieving sight after days of trouble. Events like this have been organised for surrounding areas such as Birmingham, Bristol, West Bromwich and Wolverhampton and this community spirit is an unexpected side effect of this rioting. The most remarkable of these stories surely has to be that of Sangat TV, a Midlands-based Sikh television channel broadcasting on Sky channel 847 and the internet, which took to the streets on two nights of rioting around Birmingham and the Black Country as well as areas of London, armed only with a van and a camera.

Despite covering the events on the 8th August when rioting began in Birmingham, it was the night after that showed some of the most gripping and emotional live television ever shown on British screens. Sangat took television to another level, one that the bigger broadcasters such as the BBC and Sky seemed almost reluctant to broadcast in amongst more ‘juicy’ stories they favoured instead. The rawness of such a small crew filming events that Sky for example would not was incredible. The low budget nature of the channel – note, their adverts on a continuous loop – and of some of the interviews that were conducted, often from within cars with members of various religions in the middle of the night was staggering in a way that cannot be described. Sangat were able to broadcast live on the move to areas where they had heard there was trouble in the West Midlands.

Within only a few minutes, they could access Wolverhampton from Birmingham, somewhere that had suffered with violence throughout the day and was now seeing the trouble enter the night with looting still rife and reports of the violence failing to cease continuing. Sangat could access these areas and broadcast them live to an eager audience that had grown due to its presence being spread on social networks. What was once a small Sikh television station was now pushing the boundaries of live television journalism and reporting on stories as they happened in real time before Sky and BBC were able to.

Arguably this reached its peak when the cameras and presenter Uphinder Randhawa arrived at Dudley City Hospital in the early hours of the 10th August where local muslims had gathered due to news filtering of three local muslims being run over by rioters. This really reached its peak when footage of one of the brothers of the victims stormed out of the hospital in an emotional rage, having to be restrained by the crowd that had gathered outside. It was truly emotionally gripping television and wasn’t to be missed.

If there was an area to criticise Sangat TV, it would be very hard, but often there would be long sections where Randhawa would become increasingly more and more angry at other news agencies. The way they reported on the events wasn’t news-like and that was part of its charm but at times these impassioned rants became almost cringeworthy. There’s no doubt that they all did a lot of good, but for example, criticising Sky News and shouting loudly in front of a crowd of grieving members of the community that Sky reporters don’t deserve their money for not reporting fast enough didn’t seem substantiated. Sky and other news agencies have to abide by OFCOM’s laws and regulations and reporting on things that have yet to be reported as final, such as the three murders we have seen today in the Winson Green area of Birmingham, should have a good amount of confirmation before being reported on a national and international scale. Randhawa would do well to remember this instead of perhaps riding on his own viral success.

In conclusion, Sangat TV was fantastic and still happens to be fantastic. Reporting on riots can be hard when they’re so dispersed as we’ve seen in the past few days and their ability to give a willing audience pictures and more to the point proof of what was happening in their local areas when tensions were high was fantastic.

Image: The 24.7 News.

The Kennedy’s, the controversial drama miniseries that History made in the US, then passed up on began on Friday night on BBC Two. With a small promotional campaign highlighting quality US drama and playing on History’s passing of the series, I expected to find a rather refined, historically accurate and gripping drama. Well some of that is right.

I found the writing to be rather haphazard and in parts it felt as if the bits of dialogue were randomly put together. Historically, I’m no expert on the Kennedy’s having done my GCSE on JFK rather a long time ago, but History’s refusal to broadcast the series on historical inaccurate grounds made me wonder if all of this was rather a lost cause. The acting however is fantastic, as is to be expected by a cable production in the US. Greg Kinnear’s portrayal of the late John F. Kennedy is outstanding and Katie Holmes’s performance of Jackie Kennedy is sublime.

Kinnear’s accent in particular is second to none, however the series opener raised my eyebrows on occasion. The scene is set on election day 1960 before jumping backwards nearly 40 years, then back again and so on. This is by no means a Pulp Fiction sort of narrative, therefore I felt the use of a non linear narrative in this instance was not needed and proved to be more of a gimmick if anything, in the same vein that (500) Days of Summer did this a few years back.

This is however, just the opening episode of the series and there looks to be more to stick around for in the 8 episode run.

Image: Channel 4

8 Out of 10 Cats returned on Friday minus Jason Manford who left the series at the beginning of May to focus on projects on rival network, ITV. His replacement, Jon Richardson, pictured above right, suited the role fantastically and provided in my opinion, more laughs than Manford whose brand of comedy has waned on the typical of late. Richardson’s sharp wry humour and banter exchanged with Sean Lock made for entertaining viewing and a sign that should this continue, he’ll be around for a while yet. The career of Richardson is on the up after he left 6Music to focus on his comedy career and by this evidence, this was a wise move.

Alex Reid guested on the show and was the butt of many of Jimmy Carr’s jokes, which was hilarious as Reid is usually rather game for a laugh on these sorts of shows as can be seen on the last series of Shooting Stars. Russell Kane told a rather unbelievable story about a time when he offended a fan on a train and Rachel Riley provided an anecdote about Ryan Giggs, managing to remain topical and on topic all at once. Well done to her.

This series looks like it will be as sharp as ever and the show shows no signs of ending yet.

Image: Channel 4

King Of.. is a new comedy chat show on Friday nights on Channel 4, fronted by the very lovely Claudia Winkleman. The basic premise of the show is to bring on some celebrity guests who then decide what is the King of various subjects along with the members of those subjects that they hate.

So, for example, in deciding the King of holidays, we found out that Claudia hates skiing, based in no small part because she doesn’t like the cold or lifts with no walls, and that guest Sarah Millican doesn’t like cruises because “they go down a lot”. Hmm, cue innuendo-based giggles from the audience.

It’s not in many programmes however, that you get to see a pregnant Claudia Winkleman with two black eyes get chased by a penguin whilst Chris Evans giggles. But then again we did witness nearly a minute of a mouse sniffing various cheeses. Not the best idea for television in the world. I like Claudia Winkleman, I like Sarah Millican, I’m not fussed about Chris Evans but I can’t see this getting a second series.

Image: Channel 4/Metro.

Wouldn’t it be funny if you got Robert Webb to narrate a ‘documentary’ in three parts about sex and arousal and men and women and feature little kitsch cartoon’s describing the profession of being a “sex researcher” over the decades and get as many camera glances at porn images as you can?

Clearly whoever pitched The Sex Researchers to Channel 4 thought so. The commissioning editor must have agreed, as well cause it started last night and it’s a three part series. Airing a 10pm, Channel 4 masterfully captivated the late evening pervert audience rather well and the first half didn’t disappoint. In order to survey how men and women are aroused, we see tests carried out between the two genders.

First of all we witness a scientist (let’s call them ‘boffins’ from now on) informing a man that he needs to insert a small elastic band midway down his penis whilst he watches images of monkeys having sex, a landscape, gay pornography and then straight pornography. The boffins then analysed how much his penis grew according to what was featured on screen.

Hmm, great opener! And of course, Robert Webb’s expert comedic narration strikes through and you get the feeling that in amongst this serious boffin behaviour, there’s an underlying chance for him to just take the piss with his sarcastic tone in what he’s being forced to read out cause his career’s not gone as well as David Mitchell’s.

Of course the boffins need to find out how women are aroused too and perverts out there won’t be disappointed to learn that the same test as above is carried out with a female, but this time she has to insert a rather ominous-looking glass probe into her vagina. Ouch! The female subject however, seemed to find every act of sex she saw on screen arousing according to her vagina, but not according to the remote control they were given to say whether they were aroused or not. Huff, women!*

Overall I felt this made for rather entertaining viewing, because by the end of the hour, it seemed Robert Webb had pretty much given up and knew he was getting paid whatever he said. He could have said “Smarties get stuck in my teeth easier than Minstrels” and the bulk of the audience (one presumes men) probably wouldn’t  have told the difference.

Link: 4OD.

*I’m not sexist, that was a joke.

Mock the Week’s tenth series continued last night with Chris Addison returning from last week. I quite like Chris Addison, especially in The Thick of It and on the Direct Line adverts but on Mock the Week continuously, I find him rather grating. Micky Flanagan was back this week and he’s always very happy and very funny and this week was no exception. Listen out for his distinct laugh. Instead of Mock the Week being a competition as it was before, now it’s more of a forum for comedy which I quite like and Micky doesn’t take himself too seriously which is even better.

Diane Morgan joined Ed Byrne this week, too. I’ve mentioned briefly my love for Ed Byrne before and this time last year I fully supported him in his Twitter war with joke stealer extraordinaire Keith “Cheggers” Chegwin. Diane Morgan though is something of a new comedian on the scene. Bringing her incredibly dry humour to the show as well as her Northern wit, I felt she was overshadowed somewhat by the big personalities of the panel.

Dara O’Briain was as sharp as ever and he really is becoming a big player on the comedy and entertainment scene with his witty interceptions and contributions. ‘Scenes we’d like to see’ this week was a bit of a let down so if you only watch the show for that, might be worth giving this week’s episode a miss. All in all though, it’s good to see that the series is progressing and shows no signs of wearing thin after its high profile fall out with Frankie Boyle.

Link: BBC iPlayer.

Image: BBC.

This week, BBC Two’s Wonderland series screened the gripping and unbelievable stories of children who set fire to items around their home and elsewhere. The hour-long documentary followed Liam, above, Ryan and Hulya, all of whom start fires on a regular basis. The documentary makers followed the three children as they met with fire officers in order to tackle the problem.

What I found after watching was just the sheer disbelief that some of these children could be so arrogant and not admit to the gravity of what they were doing. Liam seemed to think he was invincible for example and seemed convinced he could always escape should one of his fires burn out of control. But it wasn’t just that ignorance that shocked me, it was the behaviour of some of these children. Hulya for example seemed completely defiant in her belief that she will never get along with her Mother and this showed quite clearly in the arguments they had on camera. Everything was a battle and in a way, it was the same for all the kids featured.

What I’m not saying is that this is an issue that cannot be resolved or that it doesn’t happen, but tougher measures need to be taken not just on the children themselves but on the parents who’re meant to be leading them away from behaviour like this. It’s one thing for the documentary to more or less assume by the end that this needs to be helped with talking and slowly resolving the issue at first hand but more often than not, the parents of these children, especially in Hulya’s case, seemed to come across as just as difficult as she was.

It’s a typical grown up sentiment to shift the blame onto the children themselves but this hour really opened my eyes to a different viewpoint, something I think the makers achieved rather well. There’s always more than one opinion on matters and this highlighted that area incredibly well. It was an excellent documentary and I wholeheartedly recommend watching it on iPlayer if you haven’t already.

Link: BBC iPlayer.

Image: ITV.

Ughhhhhhhhhhhhhhhhhhhh. ITV go from making fantastic evocative, gripping, touching and harrowing documentaries to this. The Choir That Rocks, is ITV clearly taking a cue from Gareth Malone’s series The Choir from BBC Two. I’ll admit I wasn’t very keen on that but at least the BBC was original and Malone was determined, well presented, posh but not in an antagonising fashion. The Choir That Rocks is just the opposite. Highly glossy, almost Americanised in its output, it made for a boring, predictable hour long viewing.

The effort is headed by Caroline Redman Lusher, a woman who’s name echoes greediness. Redman Lusher runs Rock Choir, an organisation that has more than 8000 members. Rock Choir aims to be an exciting and empowering outlet for its members to sing pop hits in a choir-style. ITV describe it as so: “For many of its members it is a stress-busting inspiration, giving them life-changing experiences they never thought possible. ” Now I don’t know about you but that just echoes the ‘Cowell Factor’ to me.

If you thought that too then you’d be correct. Just look at what’s to follow in the coming weeks: “Over the series compelling stories will unfold and engaging characters will emerge: the plumber who practises his choirs’ dance routine while he mends a leaky boiler; the teenagers performing their version of a Pixie Lott song in the classroom; the 24 year old who has finally found her confidence since being knocked by childhood bullies, the retired husband and wife who enjoy attending the choir together and a women battling cancer who gains strength from her fellow choir members.

I put that last bit in bold. You can just see the producers faces, can’t you? Nothing sells better than cancer to a TV executive. As if the whole singing in an arena wasn’t good enough. What’s more empowering than a woman with something as terrible as cancer, gaining strength from her fellow choir members? Nothing, that’s what.

You know how I feel about this dreadful programme. Watch it if you like, but the similarities to Gareth Malone’s series on the BBC quite frankly take the piss. It’s like a dumber characature of a series that already looked to inspire, only this time with ITV’s trademark polish of heartwarming inspiration that didn’t need to be there. To be honest, I’m struggling to see why this series was even commissioned.

Dear Adam Crozier, sort it out. This is as bad as Don’t Stop Believing on Channel 5 last year.

Link: ITV Player.

Image: BBC.

Lead Balloon’s series continued this week with Rick feeling that his move into shopping television could have been very wise. Of course in Lead Balloon nothing ever goes right and quickly things start to collapse. The presenter that Rick is filling in for dies after choking, and although at first he believes this to be a good thing, soon we start to discover that good things cannot last for poor old Rick.

Whilst this is going on we learn that Marty is romantically interested in Rick’s co-presenter Donna (played by Peep Show’s Big Suze, Sophie Winkleman) and that the television at home has miraculously switched its picture upside down. This comedic and dry interception is, as usual, masterfully created and incredibly funny, allowing us as an audience to put the main plot, Rick’s downfall epitomised in the wrong usage of “ring” and “finger”.

As usual, Lead Balloon delivers much more on a comedy basis than most other sitcoms around nowadays and the faith that the BBC have shown it shows that with a little perseverance, a diamond can be found in the schedules.

Link: iPlayer.

Image: ITV/Neill Jongman.

ITV’s new documentary Baby Hospital started on Tuesday with the series following particularly moving stories at Liverpool’s Women’s Hospital where round the clock care is given to babies at risk. Based on the neonatal unit, the hour-long documentary is particularly harrowing as we learn that one in ten pregnancies don’t go to plan.

Narration is provided by Sue Johnston, a reassuring voice amongst the uneasy television viewing and also fitting of the Liverpool hospital. The work that goes on in the hospital is staggering. Dr Chris Dewhurst explains rather well when he says “Our little babies are the most vulnerable of all patients really. The baby has not been asked to be born early or poorly.  I always think this is the baby’s first day alive; he hasn’t got his mum and dad here, so we need to take care of him and treat him like our own baby.”

Truly powerful words from the doctor are matched on screen with powerful images of the work that goes on in the hospital. The hour was particularly painful to watch in parts, also very sad. I recommend this wholeheartedly to anyone who finds these sorts of things interesting. I would be keen to point out as well, that this stands up on its own as a powerful, evocative documentary and makes One Born Every Minute look rather tame and gratuitous in comparison.

It also shows what can be done when ITV gets its act together and doesn’t just commission Miss Marple, crime dramas or dumb reality shows. Baby Hospital wouldn’t be out of place on the BBC. Unfortunately due to rights issues, the series cannot be found on ITV Player.

Link: ITV Press Office.

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