
Image: BBC.
Remember The Life of Riley? Oh wait, that’s still going. I don’t know how, either. Well In With the Flynn’s is a lot like that, only with more canned laughter and it’s pre-recorded and not on a live set. In fact, other than those differences, I’d say they’re exactly the same as each other, only In With the Flynn’s is more northern. In fact it’s a lot more northern. It’s as northern as a pie down a coalpit.
The first episode introduces the family, with the Dad being played by WIll Mellor (because of course it would be), the Mum being played by that woman who was in that thing (Niky Wardley), the uncle being played by the bloke who was in Born and Bred and Misfits (Craig Parkinson) and Warren Clarke who was in A Clockwork Orange.
That’s right, A Clockwork Orange. Warren Clarke was in that and 40 years later he’s in this. One of the most renowned films ever made and also one of the most famous. A true British classic, internationally acclaimed and controversial, he’s now in In With the Flynn’s as a Grandad who’s after a younger woman. It is dumbfounding. It’s like Manchester United being relegated in successive seasons to the Blue Square Bet Conference National league.
So, the episode. Will Mellor is worried that he won’t be able to afford the family’s dream holiday to Santorini, but in the mean time we find out Steve, his son, is being bullied at school. Not only that but his daughter Chloe has had her tongue pierced and we all know why people have that done, so the bodily excretions really hit the fan.
What I found with this inaugural half hour of In With the Flynn’s (my apostrophe) is that it made me laugh a lot, rather begrudgingly, I might add. There are a lot of dreadful, lame, non-offensive jokes given its timeslot on a Wednesday night but it’s much better than The Life of Riley which was dreadful. This is just a bit common and working class, not that there’s anything wrong with that in the slightest. It really suits the slot it is given after Waterloo Road, too. In a time where the BBC are trying to cut a lot of middle-class imagery in their sitcoms, as seen in their decision to cut My Family, In With the Flynn’s looks as if it’ll fill the gap to a much wider audience.
Link: BBC iPlayer.







